Objects preserve a wealth of significant emotion and connection, serving as physical embodiments of identity. The narratives of these objects project a sense of self while sharing stories of lives lived in other places and times. They hold a physical representation of experience, speaking of familial ties and the story of who we were, who we are, and where we have been.
I have always avoided painting lilies, notoriously difficult. However, my friend Liza, my long-suffering hairdresser, brought me a beautiful bunch. They were too gorgeous not to paint. Lilies have special significance for our family. Bermuda lilies are stunning, and the island has fields filled with them at Easter. A bouquet would be sent to the Queen every year. I had them in my bridal bouquet and would often have them delivered to my parents for special occasions. Bermuda lilies are Longi lilies, which I have never seen in Australia, although I did have a lame and failed attempt at growing them.
Details
Acrylic on wood panel, 80x120x4cm
Framed size 82x122x6.8cm
Frame
Framed in a custom, hand-produced, meranti (hardwood) float frame for a contemporary aesthetic which complements any interior.
The frame is hand-constructed, sanded and waxed in the studio. A wire is attached to the rear of the panel with brass d rings and is ready to hang
I paint on custom hand-constructed ply panels, known as a cradled panel, I prefer a wood surface to canvas. I can paint on canvas for commissions if you prefer.
Construction : 3mm ply surface plus 42 x 19mm 1.2m DAR Pine for edges
The panel is gessoed with 3 coats of white acrylic paint to seal and create an even painting surface
Finish
Acrylic paint is notorious for drying to a flat dull surface despite being super shiny during application. I apply 3 coats of gloss acrylic medium with 24 hours between coats.
The gloss medium enhances the colour, texture and layers.
Beeswax is applied with a cloth for a soft satin finish. The wax is stable even in a Queensland climate.
Please note my paintings generally have a smooth profile without impasto technique.