Why People Stop Making Art (And How to Keep Going)
I’ve taught art for years, and one thing has become painfully obvious: it’s not talent that stops people from making art. Not time. Not even lack of skill. It’s something else entirely.
Most people who want to make art… can. They just don’t. And I see it all the time. Students who were excited, invested, and capable will stop once the structure of a weekly class disappears. They leave with good intentions and end up back in the local supermarket, sheepishly admitting they “haven’t had time.” Talented? Absolutely. Making art consistently? Not so much.
So, why does this happen?
The Three Big Roadblocks
Mindset – That voice in your head whispering, “I’m not good enough,” or “Who do I think I am?” Those thoughts are stories, not facts. Learning to separate story from truth is huge. One simple exercise: write down every reason you think you can’t make art. Then ask yourself—really ask—if it’s actually true. You’ll be surprised how often it isn’t.
No Ideas – “I just don’t know what to make.” Sound familiar? We’ve all been there. The trick is to stop asking, “What should I make?” and start asking, “What am I actually interested in?” Collecting imagery, noticing small details, and drawing from life builds a personal library of ideas that keeps you creating, even when inspiration feels elusive.
The Ugly Stage – Every piece of art hits it. That point where it looks awful, you panic, and you want to give up. It’s normal. Step back, take a photo, turn it upside down, listen to a podcast while you work—anything that gives you distance. That knot in your stomach? That’s where the good work lives.
Most important of all DON’T PANIC
My Own Journey
I wasn’t always confident in my art. I went to art school, trained, but for a long time, I made work that felt safe—work that wouldn’t scare me or anyone else. It wasn’t until I returned to something simple—observing, drawing from life, and doing the 100-day project- that everything changed. Ideas started flowing, my practice found direction, and I felt like myself again.
Now, I make a daily habit of collecting, connecting, and developing ideas. I look closely, I draw, I gather visual glimmers that light me up. These glimmers become the foundation of my work—the authentic, consistently creative work that feels like me.
How I Help Others Build a Lasting Practice
I have created The Tuesday Artist course to help people move past the stop-start cycle. It’s built around six modules that guide you through every stage of an art practice:
Collect – Learn to see like an artist and build an endless visual resource.
Connect – Identify what truly excites you and reframe drawing as a tool for exploration.
Develop – Turn your ideas into a body of work and learn how to keep moving when things go sideways.
Assess – Look at your work objectively, troubleshoot visual issues, and build confidence.
Confidence – Learn practical mindset skills to navigate blocks, fallow periods, and self-doubt.
Sustain – Create a long-term, sustainable creative routine that keeps you producing work independently.
This course isn’t about copying someone else’s style or a quick-fix formula. It’s about helping you build a practice that’s sustainable, rewarding, and genuinely yours.
The Takeaway
Making art is not about talent—it’s about showing up, creating space, and learning to navigate your own roadblocks. Anyone can be creative. You don’t need permission. You just need a little guidance, structure, and the courage to push past the “I can’t.”
And if you’d like a little extra help getting started, I’ve put together a beginner’s guide to acrylic painting, Pink Pear, for anyone ready to dive in.

